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Back in January I attempted to do a little writing retreat and failed spectacularly. There were a number of factors at play—personal, logistical and otherwise—but one of them, I’m pretty sure, was the fact that I didn’t have one big, fat mega project I was working on at the time. In other words, I wasn’t working on a book.

I mean, I was a little bit.  I’d played around with a scene or two. But kind of half assedly.  Flirting, not committing. On that particular retreat, I’d planned to work on couple of short stories, an essay (I think?) Those kinds of things are all fine and good, and I want to try to squeeze in more of them here and there. But….but: while in the hedgehog and fox construct for knowledge I’m most definitely the fox (the fox knows a little bit about a lot of things while the hedgehog knows a lot about a single thing—hedges, I suppose), if you apply that to my writing, I’m on team hedgehog all the way: I much prefer to be invested in one big project than hopping between lots of smaller ones.

More than that, I just don’t feel as happy when I’m not working on a book. Having it there, anchoring me below, giving me a sense of creative focus and purpose while I bob about above doing my day-job work—where I am, by contrast, very fox-like—is a key to my contentment it seems.

Now, as I mentioned in my last post, I’m committed to a new book. (Why? Why do I do this?) And, not surprisingly, THIS time when I went on a brief little writing retreat, it WORKED!

I went to my fave writing place ever, Wellspring House, out in Ashfield, a couple of hours west of home, in the foothills of the Berkshires. A hundred years ago, I suspect Ashfield was full-on Grover’s Corners—a bustling little village of farmers and tradespeople and merchants. It’s still bustling (with a grand total of 1,700 residents) but in a different way: A strange mix of artsy-hippie folks and long-time locals. Wandering around town when I’m taking my mid-day break (when I am generally at my least productive) is one of the highlights of any visit.

I always take a ton of pictures when I’m there, but never actually do much with them. So, here. Here are some pictures of spectacular Ashfield. Quite different from the stark, wintry, maritime loveliness of those Gloucester pics. I’ve actually never been to Wellspring in summer before, and boy is it lovely out there with everything green and blooming.

 

Ashfield Hardware & Supply on the left (They have everything there — and a sign in the window saying it) and Country Pie Pizza on the Right. I always get a pizza when I go, and it lasts for a few meals.

 

OK, I may have amped up the color on this a little. I was going for a David Lynch kind of thing.

 

A lot of angles and windows and barns and things. Whenever I go to Ashfield, I wish we lived in the country instead of the ‘burbs.

 

I think it’s the satellite dishes that make this picture.

 

No job too odd.

Schoolhouse from 1834-1939. It had a good run.

 

 

 

 

 

 

 

 

 

 

 

I always take a walk around this cemetary when I’m in Ashfield. There are three, four, five generations of the same families buried together. Children who died horribly young, hardy wives who outlived their husbands by 30 years, veterans of every war from Civil to Iraq II. It’s quiet and shady and beautiful and makes remember how little time we’ve all got. (I may have messed with the filter on this one too. Shhh.)

 

The Wing family wins this year’s Best Headstone Competition. Judges took note of the chic Art Nouveau type and ornamenation (quite au courant in 1918 when the stone was designed; was Charles taken by the Spanish Influenza, one wonders?). Electa edges out sister Olive for best name ever, which I encourage someone to steal for a story or novel: Electa M. Wing. Brilliant.

 

Old stone walls, old trees. As a life-long New Englander, they’re in my blood.

 

Grass-fed, free range.

So, that was Ashfield. Of course, most of the time there was spent on my butt in front of a computer in a small room—which is the part that matters. Writing a book is a slog, even when it’s a book you’re having fun with (like the one I’m working on is). But getting to retreat from time to time most certainly sweetens the deal.

 

I took this by accident, in the room I was staying in. But I kind of dig it. Also: It seems like there should be a typewriter and an ashtray full of cigarette butts on the desk.

 

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